The screenplay for Ghostbusters is actually pretty underwhelming if you only focus on the details. But if you zoom out and look at the macro-scale of writing — coming up with a premise and figuring out how to execute it — Ghostbusters stands as a great example of the importance of execution. It’s not just what your story is about, it’s how you tell it. Support LFTS: http://patreon.com/LFTScreenplay LFTS Merch: https://standard.tv/collections/lfts Twitter: http://twitter.com/michaeltuckerla Instagram: https://www.instagram.com/michaeltuckerla/ Facebook: https://www.facebook.com/lessonsfromthescreenplay/ Website: https://www.lessonsfromthescreenplay.com/ Translate this video into your language: http://www.youtube.com/timedtext_video?ref=share&v=X_G00jYm5n0 Check out all the screenwriting books we use as resources: https://kit.co/LFTS/screenwriting-books Thanks so much to Spook Central, a great resource for everything Ghostbusters: http://www.theraffon.net/~spookcentral/index.htm For those who are curious, I read the "Final Shooting Script" from October 7th, 1983. All the scripts can be found here: http://www.theraffon.net/~spookcentral/gb1_script.htm Talky Beat by Twin Musicom is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://www.twinmusicom.org/song/265/talky-beat Artist: http://www.twinmusicom.org Marxist Arrow by Twin Musicom is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://www.twinmusicom.org/