In this video we’ll explore the ways to come up with real modal sounding chord progression. An explanation on what to take in account when dealing with modal scales and progressions, which chords work and more important: which don’t. Modal harmony is very different from the tonal harmony we’ll find with the major and minor keys. We call this kind of harmony: functional harmony. Modal harmony is something else. Other rules apply! So let me take you along in this video to explore the possibilities and some things to consider when writing modal chord progressions that will actually sound modal. Support me on my patreon page (also for tabs and audio): https://www.patreon.com/qjamtracks Social Media/contact: www.facebook.com/QJamTracks www.instagram.com/QJamTracks www.youtube.com/QJamTracks Copyright attribution: All common creative photos from Pexels.com and Picabay.com All audio composed and recorded by me (Rob van Hal) I use: Ibanez JEM 7v (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Rode Microphone Axe FX II (www.fractalaudio.com) (c)2018 Rob van Hal, Netherlands